Everything else, Writing

On Writing Strong Women

 

I prefer to write strong women, but not in the way you might think. I’m not a fan of the female characters who don’t show emotion in  some pretense of remaining “strong.” Not a fan of the robotic, two-dimensional females so boring in their supposed strength it becomes impossible to identify with them.

I like writing strong women, because the women I know personally are strong. These are the women who’ve struggled through extraordinary pain and grief, yet continue to get up each morning and do the things that need doing, though their insides may be filled with shards of broken glass. These are the women simply living life as the unique individuals they are: funny, melancholy, frustrated, exhausted, angry, imperfect as they may be. They’re showing up to work at six a.m. even though they’ve got a toddler that kept them up all night, puking and crying. They’re sitting quietly at a funeral home with their best friend, despite the big fight with their spouse and the weird clicking sound their car is now making when they’ve got no money to fix it, because they just spent the last of their paycheck on the heat bill. They’re taking care of their elderly parents, teenage children, exhausted beyond all reason, and still trucking along, doing the best they can in life.

These are the women who have been completely broken at some point, by a disastrous relationship or a catastrophic loss or the demons of their own minds, but finding a way to make it through. Finding a way to push through their tears and go on. These are the women who have balanced on the cusp of the great void, wondering if it’s going to be worth it to get up in the morning, or ever again. They’ve fought through illness, fought through monotony, fought through mountains of laundry and mountains of pain, and still. They show up. And then they show up again, and they keep doing that until they remember how wonderful it feels to genuinely laugh.

They’re in business suits with high heels, or they’re in tank tops and long thrift-store peasant skirts. They’re perfectly coiffed or growing out dreadlocks or it’s all they can do to pile their hair into a messy bun. They’re stay at home mothers or they’re working fifty-plus hours a week, or they’re artists stumbling along, trying to find balance while finding themselves. They’re falling asleep during their nighttime college classes but pushing through, hoping to make something new and better with their lives. They’re gluing the heels back on their favorite pair of boots because there’s no money to buy new ones. They’re eating another peanut butter and jelly sandwich, even though the thought of it makes their stomach turn, they’re so sick of them. They’re making the rent and they’re making dinner and they’re wondering at what point along the way did they forget exactly who they were, and can they ever get that person back?

They’re wondering if it’s going to be worth it to start all over this late in life. They’re worried what other people might think. They’re falling down and getting back up, the way we all do throughout life. They’re laughing and crying and telling people to fuck off, and they’re listening to angry music and falling in love and learning to play guitar for the first time at sixty-five. They’re making big changes and they’re keeping routines exactly the same. They’re raging against the patriarchy and they’re settling in with a book and cup of tea at night, wishing they’d had just the right words to tell their boss off earlier in the day. They mess up and they hate themselves and they love themselves and they start all over. They are weak and they’re strong, quiet and loud, nervous and brash. They are anxious and bold. They are terrified and brave. Broken and courageous. They’re wondering when was the last time they made it through a day without alcohol, and they’re lying on the floor for the second day in a row because remaining upright is just too hard; they’re singing joyfully where everyone can hear them, and they’re realizing they deserve more than what they’ve settled for. They’re finding their own truth and they’re finding Jesus and they’re finding purpose beyond pleasing everyone else.

Every woman I know is a strong woman. Every female character I’ve ever written is a strong woman. Strong women are just people, trying and failing and trying again. They’re you and me. They’re real and raw and scared and angry and joyful. The myth of the “strong woman”, that cardboard cut-out of what the world thinks strength looks like, is a trope that needs breaking.

Strength doesn’t mean you never fall, never cry, never break.

True strength is exhausted persistence, nothing more.

So, yeah. I prefer writing strong women, but not in the way you might think.

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Everything else, Writing

Spark of Recognition

 

I’ve always been a reader, and I’ve always been a misfit. The two don’t always go hand in hand, I know. My mother has often told the story of how, when I was three, I would sit at the table, holding the newspaper upside down, and sobbing because I couldn’t read it. Over the years – and especially since the advent of the internet (yes, I’m that old) – I’ve had the privilege of knowing and loving many other bibliophiles. In junior high, there was a group of us who were consistently devouring L.M. Montgomery books, reading them over and over and discussing them over lunch in the cafeteria. Wherever I’ve lived, I’ve been a regular at the local libraries. Love of books and of reading is a beautiful magnet, drawing those of us who adore them together and holding us tight. I’m not usually a super social person; my true circle of friends is quite small and tends not to change much. But all of my close friends love to read. Few things are as enjoyable to me as listening to one of my friends excitedly telling me about a new book they’ve fallen in love with.

The misfit thing, that’s a little different. Though it doesn’t happen often anymore, given my current personal life, I don’t mind being alone. I don’t need groups of people. I don’t crave social interaction. I realized a long, long time ago my brain works differently and my interests don’t always line up with those of other people. And that’s fine, truly. I know what brings me joy, and I know what I like, and I don’t feel like I need to have the permission of anyone else to pursue my passions. As a kid and young teen, I often waffled on presenting my own truth, by turns fighting like hell to blend in to the landscape and being as outrageous as I could possibly be. The longer I stumble through life, the bolder I’ve become. I was quieter, before, in both spirit and truth. I’m not so quiet anymore. Where I once would feel guilty for making others uncomfortable with my interests, manner of dress, or my writing, now I simply look them in the eye and ask why they think I should have to change myself because they’re uncomfortable. Even amongst my friends and acquaintances that tend to buck the norm, I’m often the odd one out. It doesn’t so much bother me anymore, but now and again I do get weary of trying to explain myself. It’s the incessant why? Why? Why? regarding whatever it is I happen to be doing, or how I happen to be dressing, or what my hair looks like (why do people care so much about that, anyway? Isn’t that weird? And perfect strangers will approach me in public and touch my hair without even asking… bizarre. It’s currently half a wild curly mess and half dreadlocks, and I like it that way.) It has taken me some time, but eventually I realized that in much of life, I’m looking at something, and the person next to me is looking at something, and we’re each seeing something completely different. That’s okay, except when I mention what I see, and the person next to me tries to railroad me into their perspective. Why can’t they just accept that I see the world a little differently than they do? The desire to force conformity is so ingrained in most people. Step out of line and they feel compelled to reign you back in, regardless the topic.
I wouldn’t necessarily call it a ‘lonely’ feeling, being this way. I accept it as my version of normal. How others choose to receive me is neither my business nor my problem, unless they make it so. I have a distant relative who – every few years when she sees me at a family function – feels led to make a loud comment along the lines of, “My goodness, just look at you. And your… your clothes, and your (insert arcing motion with hands and distasteful facial expression) hair. Boy, you just don’t care what anyone thinks of you, do you?”
And I mean, she’s right, I don’t, though I know what she’s really saying is, “I don’t understand why you’re so committed to being an embarrassment.” Yeah. She’s always a delight.
But anyway, I guess, more to the point of this post, I’ve been listening to audiobooks quite a bit lately, and I’m currently listening (entirely out of order) to a long series of urban fantasy books. They’re beautifully written, and make my drive to work and back a bit more bearable each day. Throughout the series, there’s this one character I find I really identify with. A week or so ago, there was a passage where this particular character rebuffed a friend who’d been complaining about a band they’d just seen play live. She said, “But don’t you see it’s not about the way they sound? It’s the passion, the lyrics, the heart that’s in the music that I’m listening to.”
It hit me hard, because that’s exactly a sentence I would say. It’s exactly how I feel when I’m asked (again) some version of “why do you do this, why do you like this, why do view this thing the wrong way?” It’s because what *I* see, what *I* hear, what *I’m* focusing on is not the same thing everyone else is. But that doesn’t make it wrong. Truthfully, this one sentence in that entire enormous book struck me with such force, tears sprang to my eyes and I nearly pulled my car over, so momentous was that spark of recognition for me. Because while I don’t necessarily mind being a loner in much of my life, to hear someone – even a fictional someone – with a thought that so closely mimicked my own was a powerful thing. To know I’m not always alone, not the only one with this particular perspective.
See, this is the importance of fiction. At least, to me. There is inherent value in knowing someone, somewhere, is like you. Has felt the same things you’ve felt. Has thought the same things you’ve thought. And this is the importance in making true art, the kind that comes from a place deep inside, not the same superficial, commercially accepted clones that are made over and over. The connection that can be forged between artist and consumer – whether the two ever meet physically or not – is a magic all on its own, and strange though it may be, it holds the power to change a life. It matters.
It matters.

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Everything else, Grief, Writing

Prose, Pain, & Plans

 

There’s something about the change of seasons – especially the transition from summer to autumn – that ignites my  creativity. My brain slides from “yeah, on the weekends I work a bit on that next book” to “yeah, you need to stop sleeping for a few weeks because now we’re crocheting a couple of blankets and maybe a new shawl, sewing a coat, and writing three fiction novels. OH WAIT! NEW IDEA! Okay, now we’re also doing a non-fiction book about learning to live with grief.”

It’s been busy for me, which is probably a good thing, given I’m just about one month from the first anniversary of my brother’s death, and it seems every day assaults me with painful reminders. The last eleven months have probably been about the most agonizing ones of my life, and for a while there I wasn’t certain I was going to be able to get through it. I think I’ve been pretty open about all of that. Last year in August, before my brother was diagnosed, I would never have imagined the following months going the way that they would. So much changed in the blink of an eye. Last year in November, I wasn’t certain I would be able to function even minimally… like, ever again. At all.

Yet, here we are, nearly a year later. No denying it’s been rough. But there’s a lot of beauty, too. A lot of laughter. Much has changed, but change isn’t always terrible. During the crux of the worst of last winter – mentally, I mean – I went through sort of a manic phase where I couldn’t stop moving or creating. I feel as if maybe that was a way my brain was trying to protect itself, flooding every second with creativity. Ideas. Imagination. But it had gotten to a point where holding still, not creating every single second, physically hurt, and I don’t think that was a healthy extreme, either. I was productive, but exhausted.

I wrote and wrote and wrote. Released three books between November and May. And then, although I knew which books I wanted to focus on next, that frantic creative pace slowed way down over the summer, and I began to worry I would not be able to finish another book. Ever. To be honest, though, I generally go through some sort of phase like after writing furiously for a while. It just lasted longer this time, so it started to freak me out. But I’m in it again, now. Not quite the manic, frantic buzz of last winter when the bats had overtaken the belfry and were throwing nightly raves in it, but the typical creative rush I often fall into around the transition to autumn.

I was a little bit worried when I released The Knowing Child in May, because it turned out to be more angst-laden than the first two books. I wasn’t certain how it would be received, but as it happened, it appears to be a favorite amongst my Windy Springs readers. I had planned for the fourth Windy Springs book to be Knowing Rogan, a prequel of sorts featuring Rogan’s early life before he met Keisha. I knew how it would start and exactly how it’ll end, and what will probably happen in the middle, so I’ve been working along on that, though I wouldn’t say with much gusto until here lately. Then I took a break, moved on over to the aliens and turnips (yes) story I started a few years back and which is SO. CLOSE. to finishing, if I could just plow through these last few thousand words. However… a few weeks ago, Captain Dash started talking (as he is wont to do) and would NOT shut up. I thought, well, I’ll just scribble this down, as a jumpstart for later on when I start his book. But his words became a waterfall in my brain and I couldn’t make it stop. So I *might* have to switch the order of books four and five, and release Knowing His Madness first, though doing so will not alter any timelines at all. It’s just not what I expected to be doing.

and then –

And then I had a dream. I know that sounds wonky. But really, what even am I, if not wonky? Anyway. I dreamed the book I was writing was a collection of pieces I’d written on grief since my sister’s death a few years back. I’d asked in my FB group if there might be any interest in such a thing, and the response was surprisingly positive. I toyed around with the idea a bit, then just to sort of see, I started collecting bits and pieces of writings on the subject and lo and behold, I’ve already got about forty-thousand words. Tentative working title is Grief in my Pockets. I’d like to get it out around the holidays this year. We’ll just have to see how that plays out.

It’s awesome when the characters are “talking” as much as they are right now, and there’s so much I want to be writing. But the fact is, I work full time at the law firm, and I live with six other people (and three dogs. and several fish.) in a house that is not a  mansion. Even when I am at home and maybe have time to write, I have no office or really, any quiet space in which to do so which is not a complaint so much as a snippet of reality. So quite often I write sporadically in stolen moments – on my phone during my lunch break at work, or while waiting in the lobby of a doctor’s office, or standing in the kitchen while I’m making dinner. I’ve been aiming for a thousand words a day on any one of my current projects. Some days I hit it, some days I don’t, but that’s always my goal. When  I do finish, then it depends on my editor’s availability, and of course, my limited budget. Even if I finish all four books by the end of this year, there’ s no way I  can afford to publish them all at once. Still, though. I enjoy having all these stories living so vividly in my upstairs. It’s a curious sort of joy.

That’s where I’m at, for  the moment. I try to mention my plans now and again on all the different platforms, because I know a lot of folks follow me only in one spot on the vast web. I’m most consistently active in my FB group, which is a delightful mix of eclectic folks much like meself. That’s also where I do live videos and Q & A days, so if you’re interested in that sort of thing –

As always, I’m so thankful for the readers who share my blog posts, my book posts, my newsletters. Thank you for telling others about my work, and for reviewing (Yeah. I notice. Thanks.) Thank you for being excited about what I’m doing, and for sending me messages about how my writing has affected you. It means so much, and I absolutely could not do any of this without you. Onward.

 

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Mistaken Perfection

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For the longest time, the first thing I’d notice about any finished piece of art I’d made, be it something crocheted, sewn, hot glued, or written, were the mistakes.

Sixty-thousand perfectly perfect words in a novel, and I’d fixate on the two errors I found after publishing. Never mind that I’d given six months to a year over to the story, laughing, crying, feeling all the emotions right along with my characters. Never mind how much I loved the cover, or how many times readers told me they loved it. All I could see were those two errors.

I’ve been sewing for years, since my daughters were just tiny. Little dresses, blankets, Halloween costumes, Ren Faire garb. Mostly passable outcomes, too. Yet when people would compliment me on my son’s Captain Jack Sparrow or Mad Hatter costume, I’d cringe and say thanks, but look right there, I made a mistake on that part. I don’t know why I could never seem to say thanks, and then stop my mouth from running on. Or just enjoy the fact that the costume was obviously recognizable, which meant I’d done a decent enough job on it.

I can spend months crocheting an enormous blanket, and when it’s finished I can zero right in on the place I made one teeny error. One missed stitch. One half-double stitch where there should’ve been a double. Then every time I look at it, that’s all I can see. Literally thousands of perfect stitches, but all I can see is the one I messed up on.

I’ve really been working on not making self-deprecating remarks about myself or my work over the last year. Breaking that habit is hard. Being funny comes easily to me, and making fun of myself is even easier. I can find all sorts of things about myself to laugh at. Part of this is pointing out to others all the ways I am not good enough, and that includes my art. I don’t know where this knee-jerk reaction ever came from to begin with, but sometimes I don’t even realize I’m doing it until someone else points it out. Whether I’m throwing shade at my clothes, hair, or size; my books, shawls or blankets I’ve crocheted, clothes or costumes I’ve sewn, or what have you, I realized a while ago that every time I do this, I’m laughing on the outside but it cements the idea in my own head that I’ll never measure up to other people’s expectations. As a person who struggles with anxiety and depression, it’s just not a healthy thing to do to myself.

The first thing I worked at doing was learning to accept a compliment, which is for some idiotic reason really difficult for me. Sometimes now I say thanks and then actually have to bite my tongue in order to refrain from making some smart ass comment about myself. But at least I’ve made some improvement in that arena.

It’s even harder for me to be proud of my books. I’ve really been trying to accept compliments at face value. Sometimes I screenshot them so I can re-read them later when I feel like I lack any writing talent at all. It makes a difference. Recently, I’ve been trying a new tactic, and have been re-reading my own book series and instead of searching for any errors that might be in them, I’ve been making a point to focus on everything I got right. Those words that came together to make a beautiful, poignant mental picture. The emotions. I feel like I’ve been making some progress in this area, because I’ve actually been enjoying them. Like… really enjoying them.

This week, I tore apart some old peasant skirts and repurposed them into a frock-style coat of different colors and patterns. It’s funky, but it suits me, I think. I’ve got some events I’m planning to wear it to, and if nobody else likes it, that’s fine. Becauseam happy with how it turned out. I made it – no pattern. I made it, by myself, from an idea I had one day. I made it, I like it, and because of that, it has value, even if there are a couple of mistakes in it.

Mistakes happen. That’s part of life. It doesn’t mean the attempt is worthless. It means I did something I enjoyed, something I wanted to try, something that brought me a bit of sunshine as I worked on it.

There’s only one way to consistently avoid mistakes, and that’s to never try.

What a waste that would be.

What a loss of joy, of creativity, of education, of community, of art, of new beginnings.

What a waste of possibility. We’ve gotten it all backwards, I think.

It’s not perfection we should strive for. It’s the journey we take when we make something new. That’s the thing that matters most.

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Unpatterned

It seems sometimes as if my brain is hardwired to do the opposite of what it’s told. Though I’ve never been one for conformity, I admit to occasionally wishing I could just make the easier choice. The path more often taken, I suppose.

But I can’t.

This holds true in the art I create, as well. There is a part of me that inherently resists following the pattern. Working inside the box, or whatever you want to call it. I’m more of an outside the box person, I guess. Some days I’m so far outside the box, I can’t see it anymore, not even if I squint real hard. It isn’t that I don’t recognize the value of following where others have trod before. I do. I think I was just born contrary. There’s something in my genetics that pushes me to look at what others are doing and say, “I’ll just figure it out my own damn self,” and that’s generally that. The path more often taken is cleared by thousands of footsteps, wide and easy to walk. I get right to the cusp of it, turn, and force myself through the brush, getting scrapes and knocking my knees on rocks all the way down. It might make a more difficult journey, but I feel more satisfied about what I’ve done, when it gets right down to it.

When I first learned to sew, I was taught how to carefully trim the flimsy pattern, iron it, and pin it to the fabric. It seemed like such a frustrating waste of time. Once I learned the basics, I taught myself to draw patterns on the backs of paper sacks. Of course, mistakes were made. It didn’t matter. What mattered was that I was doing it myself, learning, growing, figuring it out.

Although I am capable of following crochet patterns, I generally do not use them, and am so much more satisfied with the results when  I create a blanket, shawl, or other piece freeform.

I think I’m much the same way with writing.

Over Labor Day weekend, we took a trip to northern  Michigan, squeezing in some of my son’s senior picture shoots along the way. We stopped at my sister-in-law’s place one day for a visit and to snap some photos, as my brother’s family lives in a cabin that once belonged to my parents, and there was some sentimental value in posing him there. As I stood there with my friend who is the photographer, my mind slipped back in time for a few seconds, and I remembered watching my dad build the large wraparound porch that surrounds the cabin. “He did this with no instructions,” I blurt to my friend. “My dad, I mean. Did you know he built this porch? Bought the wood and did the entire thing himself, with no pattern.”

It really is a beautiful porch. He’d started the work after having both knees replaced. I can easily conjure memories of him kneeling – very slowly – measuring, figuring out his next move.  He probably shouldn’t have spent so much time working on his knees, given the surgeries. But he was nothing if not stubborn.

I might get that from him.

My son leans with his elbows on the porch rail and smiles for the camera. “He built my swingsets that way, too,” I say.

When I was very young, I had a standard swingset, green and yellow striped. Metal poles dug into the ground. Two swings with hard plastic seats. A plastic slide on one end. I cried when I woke up one morning and realized it had been taken out of the ground and loaded on my dad’s trailer. He explained that he was taking my swingset to his brother’s house, so my cousin could have it. I cried again. He promised he would build me an even better swingset.

He did. He started with two giant logs he cemented vertically in the ground. They were painted red. The swings were flat wood, wide, with long chains that took me so high in the air when I really got going that I sometimes worried I might flip right over the top. Instead of a slide, he built a sturdy wooden teeter-totter on one end and on the opposite end, a bar that hung from long chains, with springs at the top of each, so if I took off running from across the yard and grabbed the bar, it would bounce, bounce, bounce.

Years later, he built  another swingset. It  was behind the old cabin  up north, and he built  it for the grandkids. This time, he attached a twirly pool slide to  one end, and the kids had a blast with it. He even built a  little playhouse with its own metal roof. No instructions. I stood there, thinking about the bench swings he had built – I still have one in my front yard – the pole barn. All created from the blueprints he came up with on his own.

My grandmother, my dad’s mom, baked, sewed, and crocheted. I asked her once for her pie crust recipe, so I could try my hand at it. She gave me the oddest look and told me she didn’t use a recipe. Ever. I’ve thought and thought, and I can never recall her using a pattern for her crocheted blankets or quilts, either. But they were beautiful.

So this inherent stubborn streak, this bullheaded resistance to following the pattern, maybe I come by that naturally.

It might take me the longer way ’round. I might get a few more scrapes, make a few more mistakes. But the truth is, I enjoy doing it my own way. Over four decades through life, and I can’t see myself changing now. If anything, I’m more set in my contrariness. More determined to forge my way through the woods, while everyone else takes the smooth trail.

It might make for more of a struggle, but the view is so much better.

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Going, going… gone.

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It seems our life has become filled with pets to varying degrees. We’ve got three dogs now. My mom – who tolerated us kids having dogs when we were small but never enjoyed them on any level – has a dog. My daughter and her boyfriend have a 30 gallon tank filled with fish, including one named Ted who is pleasant enough as long as he’s fed regularly, but doesn’t mind gobbling up his small friends if the fish food sprinkles don’t arrive on time.

My brother was an avid animal lover, and couldn’t resist taking in one that was in need. Over the years he’d had cats, dogs, a parrot named Wilma, pygmy goats, rabbits, pigs, ducks, chickens, and I can’t even recall what all else. When he got sick last year, he had a cat and seven dogs. Realizing he was becoming too frail to be able to care for them, he made the heartbreaking decision to rehome some of them, including his own special dog, Beau. My daughter’s boyfriend had hoped to take Beau, but his landlord squelched that idea. However, a pastor friend of my brother’s offered to take Beau in, and that was nice, because he still had opportunities to visit with him on good days. They also had to rehome two of the chihuahuas, and their pit puppy, Jade.

They kept my sister-in-law’s tiny chihuahua, my nephew’s little shih Tzu, and their elderly family dog, Ellie Mae. The chihuahuas were able to find a new home together, which was great. Jade, the pit puppy, went to a friend’s home, and though she was hesitant at first, eventually recognized they were her new people and settled in.

I called my sister-in-law last night to wish her a happy birthday. It was her first one since we lost my brother, and I figured it’d be an especially difficult day for her. In the course of conversation, she mentioned how sad she was about Jade. The last I’d heard of Jade, she’d been doing well in her new home, so I asked what had happened. Apparently, the electrical wiring in the house caught fire, and though the couple were able to rescue their baby from the blaze, they were unable to reach Jade in time, and she perished in the fire.

Some of my brother’s dogs I’ve known since they were pups. I didn’t know Jade well and really had no connection to her. My brother’s family lives a couple of hours away, and Jade was just a baby dog when they had her, so I never got the chance to bond with her. But hearing she’s passed hurts me with a strange, sharp ache. It’s like another little piece of my brother has disappeared, and I hate it. It’s nobody’s fault. The fire was a tragic fluke, and I certainly don’t blame anyone for Jade’s death. Still and all, that pain is there.

Trying to hold on to all the memories is like holding my hand beneath a faucet and trying to catch all the water. Of course the memories are there, but there are so many, over so many years, that the more recent stuff gets shoved to the front. It makes me feel kind of frantic, like I’m losing my family all over again.

I’ve been toying with the idea of writing a book about living with grief. It would be a compilation of pieces I’ve written during and after the deaths of my siblings. I don’t know if anyone would actually read it, but it feels like it might be cathartic for me, and I like the idea of having a tangible something with these precious memories in it. I was reading through some of the posts from when my sister died a few years back, and came across one detailing the moment she left this earth. I had written that with four of her children there, and my mom, my aunt, my sister’s ex-husband and her two little dogs perched on her bed, there hadn’t been much space. I had grabbed on to my sister’s ankles as she took her last breaths. Just to touch her skin. So she would know I was there. It was the only part of her I could reach in the crowd.

I had forgotten that. Or maybe I didn’t forget, but the memory was shoved to the back, less urgent than the others.

I don’t want to forget those little things. I don’t want these tiny pieces to float away.

So I think I’m going to do it. Tentative working title is “Grief in my Pockets.”

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Ache.

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I hadn’t seen him in nearly two years. The last time was difficult. I had to leave his place before he even touched me. He apologized, but that’s how it had to be, and I tried to understand.

Yesterday I stopped by randomly. I’ve been in a lot of pain, and needed to know if his touch would help. I haven’t been able to sleep. My stress level is through the roof, and I needed… something. In the past, his hands have done for me what no other man’s hands could do.
The door slammed behind me. He looked up, and our eyes met.
I’ve changed my hair since last I saw him and it took him a second to recognize me. He was glad to see me. A bit startled, perhaps.
We didn’t talk much as he led me to his small back room. “Lie down,” he murmured. “On your stomach, first.” And I did.
He started out slowly, and I began to melt. Then he was rougher, and I felt a bit frantic. The pain was so intense I wanted to cry out, but bit my lip instead. Repeatedly, he slammed me against the bed. “Don’t stop,” I whispered. “More, more.”
He leaned over me, and in a deep, commanding voice said, “Turn over.”
I did. I always do what he tells me to do. It’s how our relationship has always worked.
He moved my hair so that the long curls hung off the edge of the bed and began to knead my tight neck muscles. I relaxed and let my head drop down. “Mmmnn,” I mumbled. His hands moved to my shoulders. I kept my eyes closed.
I felt the joints of his thumbs press against my ears, and tried not to panic. He cupped the back of my head in his hands. I breathed deep and slow, preparing for what I knew was coming. It was going to hurt, but it had to be done. He always insisted on it.
He pressed his palms against my head and twisted, hard.
I felt the crunching in my neck, so loud it seemed to echo across the room.
It startles me that I pay him to do this to me. Still, when we are finished, I hand over the cash. I assumed his rate hadn’t gone up in the two years I had stayed away, and he didn’t correct me.
When I left his place, I was sore and my entire body ached, but he told me to come back Thursday, and I am. Hopefully my shoulder is better by the weekend.
I missed not being able to see my chiropractor when I didn’t have insurance. He’s the only one who can work my bones this way.

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Growth. Joy. Writing.

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I feel like I’ve been fairly transparent – especially recently – about my writing journey. My goals, my hopes, my truth. While my mindset may not be shared by many, I find the longer I stay over here on my own little quiet dirt road, the happier I am with my writing and where it is going.

As I’ve said, a while back I made the decision to write for myself. I removed myself from the idea of competition, of writing toward any “trends”, and of doing things other people tell me I “must” do in order to succeed at this art. I will not stick to writing one genre. I will not change my vision for my books to fit whatever is popular in the moment.

This decision was made, in part, by the losses of my siblings. Losing beloved family members at such young ages really drives home the notion of mortality. Life is so extraordinarily brief. Why would I take the thing that brings me such joy – writing books – and make myself miserable with it, just because that’s what I feel pressured to do?

So I quit. Quit attempting to meet anyone else’s expectations. I have to say, it’s turning out pretty well for me so far.

In the last fifteen months, I’ve put out four books – three novels, one collection of short stories. I’ve an e-book releasing shortly and two new books in the works, one very close to completion. I’ve sought and received my author rights regarding Slither and my super chick short stories that were in an anthology. Slither has been re-released as my own indie book, and the super chick stories will be re-released on their own soon enough.

I’ve been hawking my books at Ren Faire for five years now. This year was by far the best season, ever. Honestly, I sold so many books I had to emergency-order another box of them for the last weekend. I met so many new readers! It was amazing. One young woman even came up from Ohio just to meet me (ME!) and have her copy of Consumption signed.

I’ve spoken recently with someone who has interest in turning one of my short horror stories into an indie film. Opportunities have been turning up around every corner, it seems like. One of the things I’ve been doing over the last year is writing down my nightmares, just to sort of get them out of my head. After a particularly odd one a couple of months ago, I posted it on Facebook as a weird little story. The publisher of the Halloween Machine magazine noticed it and asked if I would be interested in publishing it in the summer edition of their magazine, which is pretty damn cool. It released this week. You can find my creepy nightmare under Auntie Val’s Story Time.

Learning to manage my anxiety has been a struggle since my brother died, and I’ve really been focusing on ways to remove extra stressors from my life. One of the things I decided to change is how many book events I’m going to do each year. I’m invited to several, and even though I have fun with them, they are exhausting and sometimes stressful. I intended this year to only do April Ghoul’s Day and then Ren Faire; however, I’ve decided to do one more this fall. I’ll be at the Flint Film Fright Fest in Flint, MI on October 27th. It really does look fun, and it’s only one day. I think I can handle it. I’ve ordered new business cards – I actually ran out of them at Ren Faire! – and a new banner for the occasion.

I guess what I wanted to convey with this post is this: it isn’t wrong to do things your own way. We don’t all need to fit into the prescribed size and shape of what others perceive as “successful.”

Figure out what success means to you, and adjust accordingly.

Life is too brief to live it for anyone else. Follow your own arrow, wherever it points.

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For Better or Worse

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I’ve spent a great deal of time over the last year considering my writing: what I want from it, what I’ve learned from it, mistakes I’ve made and victories I’ve enjoyed.

I’ve come to some conclusions I’m aware seem illogical to many, but here’s the thing about my writing:

It’s mine. The books I write are mine. The decisions I make regarding them are mine. The amount of time I choose to spend on writing, on promoting, on building relationships with readers & bloggers – that’s mine to choose as well.

I’ve removed myself from the idea of competition. I’ve removed myself from the idea of making a living on the books that I write. That’s not giving up – that’s making a choice that is right for me. The constant guilty feeling that I’m never doing enough, the stress of daily promoting and marketing, the unbelievable amount of pressure to reach some random marker of success with every release: it’s crushing.

I love writing. It is my joy, the thing that makes my soul sing when I’m doing it. I love creating books, sharing them with people, hearing what they thought. If there’s one thing I’ve learned over the last several months when my marbles tumbled out onto the floor and I had to hire professional help to pick them back up, it’s this:

In most of life, I can do what I can do, and then I need to let it go. I cannot keep juggling all the plates in the air. The stress of trying was breaking my brain. This includes writing & releasing books. I’d rather work full time at my day job and write for the pleasure of doing it and of connecting with the readers who enjoy my books. As long as I make enough on each release to create the next book, I’m chill. I mean, money is great and all but depending on my writing to pay bills is so stressful it sucks the joy right out of it.

I’ve had people argue with me over this, that I MUST do this thing and this thing and oh hey also this thing over here, it’s how you DO IT, how EVERYONE does it, yada yada, blah blah blah. That’s cool, but the reality is that I’m the only one living in my brain, and I’m the only one writing my stories, and until one of those things changes, I’ll be doing it the way I choose. Besides, I can’t fit my parallelogram self into the general square-shaped hole of society. Never have. Unlikely I ever will.

Something else I made a decision about is my horror novel, Slither. I wrote it four years ago and it was accepted by a publisher. I have no terrible story about the publisher I went with, it’s just that over time I’ve realized I’m indie at heart. I requested my rights back on it a few months ago. I re-released it with a new cover and new blurb on May 20th. I’m so pleased that it’s all my own again.

I also released the third book in my Secrets of Windy Springs series, The Knowing Child, on the same day. I’m so happy with the way that one turned out. It’s a little deeper, a little more angsty than the first two books, but it works. I have started the fourth book in that series, Knowing  Rogan, but it’s only maybe 4k in. At this point, I’m taking a break. Not a break from writing, but a break from releasing books, at least for a few months. If I put out another book this summer, it will be the aliens and turnips book that’s already almost finished and has been for two years. If I do that, it will be later this summer.

Weekends in June I’ll be working at the Renaissance Festival, schlepping yarny whatnots and books. I sincerely doubt much writing will be accomplished in June.

And that’s okay. My only deadlines are my own. I can do as much as I can do, and then let it rest. For better or worse, these decisions are mine and at the moment, I’m content with them.

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Rebellious Creativity

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When I was about ten years old, my paternal grandmother started teaching me to crochet. Really all I learned was how to chain and single stitch, and I never learned how to stop, so for a while I made blankets for my Barbie dolls but I couldn’t figure out what to do at the end and eventually I gave it up. About eight years ago, I picked it back up again. Other than that little bit of instruction I received when I was a kid, I’m entirely self-taught.

A while back, I learned about something called freeform crochet. In freeform, you basically do whatever the heck you feel like doing. This idea appealed to me on so many levels. (Hold tight. I’m going to make writing parallels. Be patient.) I started small, making tiny freeform pieces. Then I connected them. And got braver and braver with the things I was willing to try. Now I’ve got this gigantic freeform shawl I wear all the time, and people stop me everywhere I go to ask where I bought it. It delights me to know I made it and it can’t be duplicated.

Here’s the thing, though: I wouldn’t be able to do freeform if I hadn’t learned basic stitches first. I’m not a huge fan of patterns, but I am capable of following them when needed. I wouldn’t be able to do freeform if I hadn’t learned how to do increases and decreases already. Or how to connect granny squares. Or many of the other basic things crochet entails. I’ve been crocheting steadily now for about eight years. At first, my efforts were plain silly-looking. Patterns didn’t make sense. But as with any new skill, you learn. It takes time, but soon enough, it’s second nature. Now I crochet so fast I rarely have to even look down at my fingers while I work. Over the last year, most of what I’ve been crocheting has been freeform. Spirals, mandalas, shawls, random pieces that grow and grow until I figure out what it wants to be. I love the whole idea of not trying to match colors, or stitches, or adhere to a pattern fifty-million other people have made. The point, I suppose, is that in order to break the rules, first you have to learn the rules. I know how to DC2TOG (double crochet 2 together) when I’m crocheting. Since I’ve mastered that, now I can deliberately DC2TOG and then add a bullion stitch to it. Or pull a second color in to it. Or stick it in the middle of six trebles. Or whatever strikes my fancy. In freeform, it doesn’t need to match, or turn out even, or turn into anything at all. I just enjoy what I’m doing in that moment, and see where it goes. No pressure. No need to be certain edges line up. Freeform celebrates crooked art. I like that about it. It’s very… well, freeing.

(The parallel, as promised.)

There’s a lot of writing advice bandied about that goes something like this, “Good writers break the rules.” I believe that to be so. I certainly don’t want to create books that sound exactly like anyone else’s, and I get bored really quickly reading an author that has the same form for every book. By page ten, I’ve figured out the villain, the plot twist, and the ending. No fun. In fact, when I was writing Heckled, I wrote it backward to begin with. Even once I went to chapter one and started writing, I had decided I was going to write that story exactly as I saw it in my head, without consideration for who might read it or who might take issue with it or what the backlash  might be. And there are lots of people who don’t like that book. Of my novels, Heckled is the one I receive the most private messages IN ALL CAPS about what I wrote. That’s okay with me, though. I’m pleased with how that story turned out. It’s real. It’s raw. And more honest than most people probably realize. But I definitely broke some rules during the writing of it.

Breaking the rules is where imagination gets wild. Where creativity and voice really show. Breaking the rules is exciting. But here’s the thing: you can’t deliberately break the rules until you understand the rules. It’s important to study the craft of writing. It’s important to get a handle on how a story should go. (Not how it “must” go.) While I absolutely do not believe there’s only one great way to write a book, there are elements that should probably be present in some form. It’s important to read lots and lots of books of different styles and genres. Older writers. Dead writers. New writers. Read, read, read. When you stumble on something that really strikes you, pay attention to how the writer accomplished that task. Stick that knowledge away for later.

Any writer worth her salt has learned you shouldn’t use adverbs. Adverbs are devil’s spawn. Putting adverbs in a story is like putting rotted apples out for your fancy luncheon. It’s never okay. Really. Pick up any book about How to Write Things and this advice will always, always be included. So learn to write powerfully without adverbs. Stretch your skills. Use your imagination. Get a solid handle on doing it. It’s important.

Once you’ve got it down pat, break the rule. Because it’s ridiculous to never, ever, ever use an adverb in writing. It’s dumb advice, really. It’s a rule meant to be broken. But only after you know how to write without adverbs should you attempt it. You’ll learn something writing with and without them. Once you’ve learned to slash them completely from your own writing, you’ll notice how many adverbs are too many when you’re reading. You’ll get a feel for how many you can sprinkle in and still pack a punch.

There are so many rules like this that practically beg to be busted into “freeform.” But… but it’s imperative to remember that even the wildest, most rebellious writer on the planet must still adhere to some rules. You can play with grammar. You can’t entirely disregard every grammar rule ever written. Punctuation serves a vital purpose. There are ways to mess with some of it. Some of it, sorry, you really can’t. There are occasions you need to splice a comma. Other times, the words are more powerful as sentence fragments. (Yes, you can write sentence fragments in a book. YES. Absolutely you can. Fight me, bruh.)

Freeform crochet is a beautiful thing. Truly. Look it up on Instagram or Pinterest. It’s just stunning, the art people come up with working freeform.

However.

Even with freeform, there are elements that must be included. You can’t pick up a spool of thread, a block of cheese, and a squeaky dog toy and announce you’re about to make some freeform crochet because there aren’t any rules about it. Well, I guess you could announce it. But it wouldn’t mean anything, because you don’t have the correct tools.

You’re smart. You can draw your own parallels here.

And if you think crochet lessons have nothing to do with storytelling, then explain why long, rambling stories are often referred to as “yarns.”

No, seriously. Explain it.

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